With Anderson Brickler Gallery, Dr. Celeste Hart Honors a Second Muse
Endocrinologist Celeste Hart installed an art gallery in the building where three generations of her family have practiced medicine.
photoS by saige roberts
Kabuya Pamela Bowens-Saffo (right), chief curator and director of educational programs, met Celeste Hart, M.D., an endocrinologist, at an exhibition of Bowens-Saffo’s work.
For the last 28 years, Dr. Celeste Hart has practiced endocrinology in the building where in 1957 her father, Dr. Alexander D. Brickler, joined her grandfather, Dr. Russell L. Anderson, in a primary care practice.
In fact, she was born across the street at Florida A&M University Hospital, she said.
The Anderson Brickler Gallery — named after the two renowned physicians — is on the first floor of the building.
The gallery is a second job and labor of love for Hart, who began collecting art in college when she won an online auction of a painting by Romare Bearden.
When the practice had nine providers, the first floor served as their lunchroom and offices, Hart said. She removed doors and redid the flooring to create the gallery space below her practice.
Upon entering the gallery, visitors encounter information about the featured artist before following a circular path through a series of rooms hung with their work.
“The gallery is an educational experience where you can learn about the artist and their place in history and an excellent resource for research,” said Kabuya Pamela Bowens-Saffo, Anderson Brickler Gallery’s chief curator.
The painting Hart bought, Bearden’s “Circe Turns the Companion of Odysseus into a Swine,” hung on the wall for the gallery’s first show, which opened in October 2017.
Bearden’s paintings are represented in public collections at the Metropolitan Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art and many other places.
“Artists will be interested in artistic objectives or technical aspects,” she said. “Those are sometimes not the things that draw my attention. I am interested in how Bearden chose what he wanted to represent.”
The gallery features fine art editions and works on paper by modern, post-war and contemporary artists with a focus on African diasporan artists.
According to Hart’s vision, the gallery has a significant educational charge: to offer “cultural experiences for learning” and “educational enrichment through the social engagement of fine art.”
“Here, the artist’s works explore visual aesthetics of beauty. Also meaningful are the artist’s approach and skills in the creative process. These insights are relevant to American and African-American history,” Bowens-Saffo explained.
Master engraver Leon Hicks traveled to the “AB Gallery” to discuss his life and work during the exhibition of his limited-edition prints.
At the time of our interview, Bowens-Saffo was planning visits for classes of students at Florida A&M University and Rickards High School.
In October, the Bearden exhibit opened with a lecture from visiting guest scholar Deirdra Harris Kelly from the Romare Bearden Foundation in New York. A second show, of Leon Hicks’ engravings, launched in February with a talk by the artist and an unveiling of limited edition prints.
In May, Anderson Brickler Gallery will serve as one of three sites exhibiting student work on the theme of “Waging Peace,” along with Florida State University Museum of Fine Arts and The Council on Culture and Arts (COCA) exhibiting at City Hall.
As part of this exhibit, the gallery plans to install in its outdoor space a large-scale cultural piece inspired by Bearden.
Other upcoming exhibits include printmaking and mixed media work by contemporary artist Ken Falana, and pieces by the modernist painter Beauford Delaney, for which the gallery hopes to invite scholars of the writer James Baldwin, a close friend of Delaney, fellow expatriate, and subject of many of his paintings.
In addition to producing exhibits and arranging scholarly talks, the gallery hosts an artists-in-residence program and supports university students and professional artists in “Art in Public Places” projects.
With so much underway, it can be hard to remember that Anderson Brickler Gallery is relatively young. It was only in February 2017 that Hart and Bowens-Saffo met at Bowens’ solo show at LeMoyne Center for the Visual Arts; eight months later, Hart opened the gallery. She credits Bowens-Saffo with helping her bring the project together, along with support from a friend who runs a gallery in New York.
“We were on the phone hours some nights,” Hart said of her gallerist friend in New York. “It’s important to have a mentor.”
To talk with Hart and Bowens-Saffo is to share in their feeling of gratitude and love for the work Anderson Brickler Gallery showcases.
“The gallery is a new face in the community that is exciting to both research universities as well as Leon County art teachers,” said Bowens-Saffo. “The opening exhibition has been well received by the local community and brought out many supportive people.”
“I’ve had calls from people I didn’t know collected,” Hart said. “People are volunteering to help. I’m grateful for the opportunity to have people drop by on a Saturday — artists I haven’t met, people with ideas for exhibits.”
Like many artists, Hart has a day job. She calls acquiring pieces to exhibit, especially when the artist is deceased, “labor intensive.”
And yet the Bearden pieces hung on the walls, many on loan from collectors in New York. “That it actually happened is the greatest joy,” Hart said. “I have an emotional attachment to each of these pieces. Knowing the history deepens that.”