Getting Into Character the 'Cosplay' Way

Fans bring their favorite characters to life in the geeky — and sometimes life-changing — pursuit.

Scott Holstein

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Lying facedown on an ottoman, I’m trying to stay still as a friend stands above me and laces me into a breathing-optional corset.

Actually, “laces” is too delicate a term because she’s using an awful lot of upper body strength to get me into this thing. My husband has been dispatched to a CVS near our hotel to buy safety pins so that my silver breastplate-and-cape combo will hang properly.

Did I mention that I, a responsible 40-something mother of two, am about to walk down one of Atlanta’s busiest streets in a short, red Roman-style skirt, knee-high silver boots and a Wonder Woman tiara and bracelets in broad daylight?

And it’s not Halloween.

Rather, it’s Dragoncon, the huge sci-fi/fantasy/gaming/comics convention that draws 40,000-plus people to downtown Atlanta every Labor Day weekend. As a lifelong comic book enthusiast, I’m taking my first step into the colorful, flamboyant world of cosplay, which is short for “costume play.” For at least the next several hours, I’ll be just one of thousands of people from across the country who are playing hero (or villain) for a day, with gusto.

This isn’t as unusual or exotic as you might think. Thanks to the increasing mainstreaming of geek culture, cosplay is finding its way into the larger public consciousness and is even the subject of a TV docu-series: Syfy’s “Heroes of Cosplay,” has an element of “Project Runway” as cast members construct elaborate, sometimes headache-inducing costumes in order to compete at fan conventions. 

Cosplay is more than glorified dress-up for adults. It’s a culture that gives participants an outlet to express their love of comic books, science fiction, anime and other geek-skewing pursuits in a creative, highly visible way, usually at conventions such as Dragoncon or Comic-Con in San Diego. For ardent fans of Xena, Thor and their ilk, cosplay provides an opportunity not only to dress like their favorite characters but also to be those characters. It’s all about transformation with a strong theatrical element. If you’re going to cosplay as Wonder Woman — or in my case, her Amazon sister, Nubia — you’ve got to own the part.

And you can’t simply grab a Batman suit off the shelf at Party City. Whether a cosplayer has made his or her own costume or had it commissioned, chances are a great deal of time, effort, painstaking attention to detail and, in many cases, a considerable amount of money, have been invested in the result.

‘A bucket list kind of thing’

Just ask Vanessa Gabriel, who by day is membership services manager at a Florida trade association. After attending her first Dragoncon in 2010 and seeing countless cosplayers in their festive element, Gabriel vowed to join them the following year.

Her cosplay alter ego is DC Comics character Black Canary, a martial artist with a sonic scream who wears a black bodysuit, fishnets and knee-high boots. In the last two years, Gabriel has portrayed Black Canary twice at Dragoncon and once at Megacon in Orlando. The character has been around since the 1940s, and Gabriel threw herself into becoming a specific version based on stories by comic book writer Gail Simone and artist Ed Benes.

“The love of the character was already firmly in place, so once I saw people cosplaying in real time, I couldn’t not do it,” she said. “It became a bucket list kind of thing.”

That meant deciding whether she was going to wear a wig or have her hair dyed blonde (she opted for the salon), spending “copious amounts of time on eBay” to find just the right pieces: from gloves to motorcycle jacket to tights to boots, getting contact lenses, perfecting the makeup and even practicing various martial arts poses so that she could be in character on the convention floor. Gabriel hand-painted yellow embellishments on her black boots to make the look as close to the comic book version of Black Canary as possible.

“I think the real disconnect for people who aren’t involved in cosplay or conventions is they don’t understand the commitment, so they’re sort of surprised by it — that I would spend three months planning every tiny detail of a costume,” said Gabriel, who blogs about comic books at (In the interest of full disclosure, so do I.) “One of my co-workers who was very involved with the theater when she was younger totally gets it.”

Cosplay is not to be confused with costuming, which is the art form that makes cosplay possible. When I decided to go to Dragoncon as Nubia, a DC Comics character created in the 1970s as Wonder Woman’s black sister, I reached out to Jacksonville-based costume designer Candy Keane, a nationally known cosplayer who was featured in “Entertainment Weekly” this year. Armed only with my measurements, one in-person fitting and a picture of a Nubia doll, Keane created a one-of-a-kind outfit that made me a caped celebrity for a day.

That’s another thing. Wearing a costume at a fan convention can be like walking into a spotlight of your own making, and that means being prepared to pose for photos over and over again. As a textbook introvert, I initially found this idea terrifying. However, it’s incredibly flattering to have a complete stranger say, “You look stunning,” and then ask if they can take a picture.

That never happens to me at Publix.

“It’s almost like you create your own mini-stage in the corner of the hotel lobby, and then people come to watch you perform,” Gabriel said.

Jennie Carpenter, an administrative assistant at Florida State University and instructor at the Women’s Bellydance Center, is a costumer who has transformed herself into anime character Eternal Sailor Moon and 1980s cartoon character Jem by making her own creations. Most recently, she was a striking “steampunk” Catwoman at the first GLI-Expo Steampunk Convention at the Donald L. Tucker Civic Center in November. (Steampunk is generally defined as a science fiction sub-genre that features steam-powered machinery instead of modern technology.)

“Mostly, I just love creating the costumes and the feeling I get when I see the whole thing completed,” said Carpenter. “It is fun to pretend to be someone else for a little while. I’ll be totally honest with you; it’s really nice to hear people’s reactions to the costumes when you’ve done a good job. I also really enjoy the creative process of it when you have to try to come up with new ways to create things, even if it’s only new to you.”

Carpenter created the steampunk Catwoman look using her crafting skills and impressive ingenuity. Claws made from thimbles, vinyl ears, customized pants that began as a $5 pair of Danskin capris from Goodwill, goggles modified with China Glaze silver crackle nail polish and a whip fashioned out of braided, jersey-like fabric and wrapped in silver wire were just a few of the elements involved. She makes the vast majority of her costumes “because I want it to look perfect, and you just cannot achieve that with a store-bought costume.”

These endeavors don’t have to cost a lot of money. But go to a major fan convention, and you won’t have a hard time finding someone who spent hundreds, maybe even thousands of dollars putting a look together or having a costume designer do it for them. Aside from the cost of the costumes themselves, the finishing touches of footwear, accessories, makeup and such can add up quickly. My cosplay preparation also involved a drive to Jacksonville so that Keane could tailor my costume as much as possible. I didn’t want to leave anything to chance.

“I definitely set money aside for this, kind of like a home renovation project,” Gabriel said.

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